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Impressionism by 

 

Studies in impressionism by ; 1986

 

Cézanne by 

 

Cezanne, the early years, 1859-1872by ; 1988

 

 

 

Jul 1–Sep 30, 2018 The Art Institute of Chicago John Singer Sargent and Chicago's Gilded AgeChicago

Jul 3–Oct 7, 2018 The Met Breuer Obsession: Nudes by Klimt, Schiele, and Picasso New York

Jul 7–Sep 30, 2018 The Art Institute of Chicago, The Yoshida Family: Three Generations of Japanese...Chicago

Jul 17–Nov 12, 2018 The Met Fifth Avenue, Devotion to Drawing: The Karen B. Cohen Collection... New York

Jul 22, 2018–Feb 24, 2019 MoMA, Constantin Brancusi Sculpture, New York

 

 

 

First Impressions

In the 1860s increasing numbers of artists, influenced by the Barbizon School, took their paints and canvases out into the French countyside. Painters including the Dutchman Jongkind and Boudin from Honfleur set up their easels on the popular beaches of Normandy. The slightest hint of a brushstroke and confluences of colours created atmospheric impressions. Boudin varied his beach scenes with distinct moods arising from the morning or evening sun. Above all, the ever -changings effects of light and colour on the water became a challenge that was eagerly met. Boudin’s student Monet titled an 1874 view of the harbour at Le Haver Impression, Sunrise. Henceforth, one critic began to mock the group of artists with whim Monet exhibited - and who , like Monet , were excluded from the Salon – as “impressionists.” While the painters who were part of the Salon judged a picture’s value by its motif, for the Impressionists , the picture’s colours and their relationship to each other were of supreme importance .The colour of objects can thus lose significance and fall victim to the general atmospheric impression. The application of colour in recognizable brushstroke shatters the outlines of objects, allowing them to melt into their surroundings, as if illuminated by a shimmering light. Shadows are no linger simpy darkness, but rather patches of blended colour.

 

Claude Monet , Impression, Soleil Levant, 1872, Oil on canvas , 48 × 63 cm, Musée Marmottan Monet

 

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