The Web Gallery of Impressionism. Impressionism and Post-Impressionism

23.09.2016 See the Top 10 Booths at EXPO Chicago

23.09.2016 Must-See Art Guide: Chicago

23.09.2016 Venice Biennale director Christine Macel promises artist-centred exhibition

23.09.2016 Three to see: London

Sep 2–Dec 4, 2016 Hamburger Kunsthalle, LOOKING FOR TRACES, Hamburg

Sep 9–Dec 18, 2016 Fondation Henri Cartier-Bresson, Louis Faurer, Paris

Sep 15, 2016–Jan 22, 2017 Marmottan Monet Museum, HODLER MONET MUNCH, Paris

Sep 16, 2016–Jan 2, 2017 Whitney Museum of American Art, CARMEN HERRERA: LINES OF SIGHT, New York

Sep 16, 2016–Jan 23, 2017 Jacquemart-André Museum, Rembrandt, Paris

Sep 18, 2016–Jan 22, 2017 MoMA, Kai Althoff: and then leave me to the common swifts, New York

Sep 21, 2016–Jan 23, 2017 Centre Pompidou, RENÉ MAGRITTE, Paris

Sep 22, 2016–Jan 16, 2017 Neue Galerie, Klimt and the Women of Vienna's Golden Age, New York

Sep 24, 2016–Jan 2, 2017 Royal Academy of Arts, Abstract Expressionism, London

Sep 9 - 11, 2016

Affordable Art Fair | Bristol

Affordable Art Fair | Seoul

Photo Shanghai 2016

Sep 15 - 18, 2016

abc art berlin contemporary

Beirut Art Fair

Berliner Liste 2016

POSITIONS BERLIN Art Fair

START ART FAIR

Sep 16 - 18, 2016

Printed Matter's NY Art Book Fair

Unseen Photo Festival

Sep 17 - Oct 9, 2016

Photo DocksArtFair

Sep 21 - 25, 2016

Zona Maco Foto

Sep 22 - 25, 2016

Expo Chicago

viennacontemporary

Sep 23 - 25, 2016

Unseen Photo Fair 2016

Sep 28 - Oct 2, 2016

Affordable Art Fair | New York

Sep 29 - Oct 2, 2016

ArtRio 2016

Houston Art Fair

Swab Barcelona 2016

Texas Contemporary

Édouard Vuillard (1868 – 1940)

He studied at the Academie Julien in Paris and shared a studio with Pierre Bonnard. Both artists were inspired by Serusier’s theories derives from the works of Gauguin and became founder members of the Nabis in 1889. Vuillard was also influenced by the fashion for Japanese prints and this was reflected in his paintings of flowers and domestic interiors, executed with a keen sense of tone , colour and light. He was also a prolific designer of textiles, wallpaper and decorative features for public buildings. His paintings of cosy domestic subjects show a tremendous feeling for texture and patterning, a skill he picked up from his mother, who was a dressmaker. The bolts of brightly coloured cloth that surrounded him as a child found and echo in his own textile designs. His late paintings were more naturalistic, aided by photography, which he employed to capture the fleeting moment.

In the Room, 1904, Oil on canvas, 50 x 77 cm, Pushkin Museum of Fine Arts