Stuck was born at Tettenweis, in Bavaria. From an early age he displayed an affinity for drawing and caricature. To begin his artistic education during 1878 he went to Munich, where he would settle for life. From 1881 to 1885 Stuck attended the Munich Academy.

He first became well-known by cartoons for Fliegende Blàtter, and vignette designs for programmes and book decoration. During 1889 he exhibited his first paintings at the Munich Glass Palace, winning a gold medal for The Guardian of Paradise.

During 1892 Stuck co-initiated the Munich Secession, and also executed his first sculpture, Athlete. The next year he won further acclaim with the critical and public success of what is now his most famous work, the painting The Sin. Also during 1893, Stuck was awarded a gold medal for painting at the World's Columbian Exposition in Chicago, and was appointed to a royal professorship. During 1895 he began teaching painting at the Munich Academy.

During 1897 Stuck married an American widow, Mary Lindpainter, and began work designing his own residence and studio, the Villa Stuck. His designs for the villa included everything from layout to interior decorations; for his furniture Stuck received another gold medal at the 1900 Paris World Exposition.

Having attained much fame by this time, Stuck was enobled on December 9, 1905 and would receive further public honours from around Europe during the remainder of his life. He continued to be well-respected among young artists as professor at the Munich Academy, even after his artistic styles became unfashionable. Notable students of his over the years include Paul Klee, Hans Purrmann, Wassily Kandinsky, and Josef Albers.

Franz von Stuck died during 1928; his funeral address memorialized him as "the last prince of art of Munich's great days". He is buried in the Munich Waldfriedhof next to his wife Mary.

Stuck's subject matter was primarily from mythology, inspired by the work of Arnold Bàcklin. Large forms dominate most of his paintings and indicate his proclivities for sculpture. His seductive female nudes are a prime example of popular Symbolist content. Stuck paid much attention to the frames for his paintings and generally designed them himself with such careful use of panels, gilt carving and inscriptions that the frames must be considered as an integral part of the overall piece.

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